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A voice of a man singing a song usually has a range of several octaves. He often has to sing several octaves, from high to low, to keep the song, melody and lyrics in tune and easy to sing. It is often used during singing competitions or other public events. A higher voice means the singer has a deeper voice, but generally means that the singer has more volume. A lower voice means the singer has a less powerful voice, but generally means that the singer has less volume. A singer can sing in a range of high voice, such as pitch range of C4 to G6, to low voice, pitch range of G6 to C4. High voice is also sometimes called falsetto and chest voice.
The book also features three 'tips and tricks' sections, one on using Rob Papen's synth software, Blade, one on using modular synthesis and one on using Wavetable synthesis. The first section is a collection of tips on using Blade's oscillator and filter sections, while the second section is a collection of tips on using Blade's modulation and wavetable synthesis.
In this book, you can learn about these four elements from Rob Papen himself, using video demonstrations. In addition, the book is packed with information that will help you to use these elements and their functions to develop your own sounds.
As for the video demonstrations, they consist of a variety of synthesizers, including a Yamaha DX7, a Oberheim OB-X, a Roland SH101, a Korg MS20 and a Roland MT32. In addition, all of the video shots feature the PC-based version of Rob Papen's synth software, Blade. A real treat.
As you can see, then, this book is packed with useful information. But, as you know, I wouldn't write a book about synthesizers just for the sake of including lots of information. This book also features some 'tips and tricks' which are not really about synthesis - rather, they are intended to help you to understand how to use the book's virtual synthesizers to create your own sounds.
Within the book, the author starts with the basics of subtractive synthesis and applies it to the oscillator, to the amplifier, to the mixer and to the modulator. He also shows how to set up a virtual synthesizer, how to design sounds and how to use the oscillator to demonstrate his philosophy and approach to sound design.
At the end of the book, Papen presents an extensive bibliography, covering both books and articles that were helpful in making this book a reality. His website offers more multimedia content, such as piano transcriptions of the synthesizers and a very useful audio on how to properly use the different elements. 827ec27edc